Communication Barrier Essay

Presentation Effective correspondence is a significant feature and aptitudes are basic in all circles oflife. Correspondence is viable when the upgrade as started and planned by the sender, or source, relates near the boost as it is seen and reacted to by the receiver† (Tubbs and Moss, 2006), state . In nursing, each day we need to eye to eye with quiet, we speak with various individuals and various patients, so we should try to give compelling correspondence and furthermore an imperative to guide them from the use of words, speed conveyance of words, pitch balance and non-verbal communication. Powerful correspondence is a basic segment for association achievement, regardless of whether it is the relational intra bunch association or outside levels. Viable correspondence wills an expands patients and wellbeing results of power (Barlett, Grayson et al. , 1984), Reduces the danger of grievance and prosecution of power (Beckmam, 1994). Correspondence boundary is when individual sends and gets messages that are misshaped by clamor , ccur inside context,have some effect,and providesome open door for criticism. (Joseph Devito (2009). Correspondence is a conversional procedure of sending message. Correspondence is significant in our life,personal relationship and anyplace. Distinguishing the obstruction to correspondence is the initial step to improving successful correspondence. in the event that it can't impart his profound are sure hindrances, attempt to utilize forms of non-verbal communication dialects to pass on a compelling correspondence. Examine in the suitable spot. There are numerous approaches to makesure critical correspondence. Correspondence hindrance is the thing that makes correspondence complexs,difficult,frustrated are the obstructions we put in the manner. At the point when we talk, we will in general erect boundaries that block our capacity to impart. There are five of these sorts of hindrances to successful correspondence. Physical obstructions are anything but difficult to spot †entryways that are shut, dividers that are raised, and separation between individuals all neutralize the objective of successful correspondence. Physical correspondence happens, for example, in office, ward, emergency clinic, cafeteria and an open spot. Second correspondence obstruction is passionate boundary can be hard to survive. By having faith in yourself and what you need to state, you will have the option to convey obviously without getting excessively associated with your feelings. In the third obstructions are social, various societies, regardless of whether they be a cultural culture of a race and religions which can impede created correspondence if various societies conflict. In these are regular cases, in work circumstances, distinguishing an issue and concocting an exceptionally productive approach to unravel it can rapidly topple any social or institutional hindrances. Another obstructions are Interpersonal boundaries, which what eventually shield us from connecting with one another, and opening ourselves up, to be heard, yet additionally to hear others, this can be the most troublesome region to change. They can't shape veritable associations with individuals since they have an excessive number of bogus recognitions hindering the way. Fortunately, the remedy for this is more correspondence. By drawing in with others, we realize what our real qualities and shortcomings are. This permits us to advance our thoughts in a reasonable, clear way. What's more, the last obstructions are sex have gotten less of an issue as of late, however there is as yet the opportunities for a man to misinterpret the expressions of a lady. Diverse sex had would in general structure considerations distinctively and this must be taken into hindrance of the two sexual orientations when conveying. (Christopher Smith II, 2010). Method of Overcoming these hindrance When you send a messages,you expect to impart meaning,but the message itself doesn’t contain meaning. The significance exists in your brain and in the psyche of your collector. To comprehend one another,you and your recipient must have comparative implications for words,gestures, manner of speaking and different images.

High Museum Project

I decided to do my survey venture in â€Å"The High Museum†, in Atlanta GA. It was found in 1905 and its absolute first name was Atlanta Art Association. Likewise it is the one of the most visited workmanship exhibition hall on the planet. While, visiting High historical center, I was attracted to two specific pieces from two totally different specialists. The Chest and drawers by Teyo Remy, picked up my consideration in light of imaginative structure and profound significance. My other most loved piece is â€Å"The start of Life in the Yellow Jungle†, by Thorton Dial. I will analyze two craftsman from Modern and Contemporary Art period.Teyo Remy was a piece of a gathering of youthful Dutch creators who went to the bleeding edge of the worldwide plan scene with works that had a political mindfulness and furthermore comical inclination. Chest and drawers piece was plan in 1991, which depended on twenty drawers which every one of those had a story with them. Absolute firs t cabinet speaks to a gems box that was a blessing to the young lady from the dad. The whole piece is held together by a furniture trimmers lash that speaks to nature of life. Essentially a lash would be a reference of us people hanging on the significant things in life that issue to us.The reason I like this is on the grounds that it interfaces with me with recollections of my past and encounters I experienced. To me, every cabinet speaks to a memory in my life that has thought me to settle on better choices later on. I additionally like this plan of craftsmanship since it is stuns me how Teyo Remy figured out how to make a structure that held twenty drawers together and none of them tumbled off. The shading determinations of the drawers are matte and plain hued that you find in your regular day to day existence. This was a decent determination since it made the piece increasingly relatable. â€Å"You Can’t Lay Down Your Memory†, is an ideal title for this structure a s it shows the significance of past.Thorton Dial was conceived in 1928, Emelle, Alabama. He persevered through an existence of neediness and hard work. This self-trained craftsman has made bewildering magnum opuses that speak to history, governmental issues, and force. He defeated numerous obstructions, for example, being unskilled, originating from neediness, and he additionally had a poor start as a craftsman in his fifties. One of his popular pieces is â€Å"The Beginning of Life in the Yellow Jungle†, planned in 2003. A portion of the materials he utilized for that specific plan are plastic soft drink bottles, doll, apparel, bedding, wire, discovered metal, and elastic glove.Yellow shading speak to meeting up of all â€Å"races† and working with one another in harmony. Plastic soft drink bottles speak to another brought into the world that is honest and unadulterated in this universe of turmoil. The explanation I picked this fine art is on the grounds that at first it looked exceptionally upsetting, contorted, and secretive. Following a couple of moments of taking a gander at it, it started to address me. I start to acknowledge what Dial was attempting state. To me this craftsmanship speaks to a more brilliant side of things to come. Through numerous life’s battles and difficulties I suffered, there appears to consistently be a more noteworthy trust in better life.I additionally accept this speak to the excellence in battles we experience in our lives. In examination, these two specialists are totally different yet share a comparative view on life. They originate from totally different foundations however these two specific pieces have an underlined association. Dial premise his work on his encounters which are caught in his memory. He can communicate his perspectives, battles, and encounters from quite a while ago. Then again, Remy’s dresser speaks to every one of his memory in a restricted space of drawers. And furthermore, re collections can be utilized as a venturing stone in a pathway to a more prominent life.

Economic Theories of Adam Smith Research Paper Example | Topics and Well Written Essays - 1250 words

Monetary Theories of Adam Smith - Research Paper Example Monetary Theories of Adam Smith This report will examine diverse monetary hypotheses by Adam Smith, a Scottish savant. Adam Smith is the organizer of a free-showcase private enterprise. He is additionally the dad of present day traditional financial aspects and a defender of free enterprise monetary approaches. His contentions against mercantilism made him the dad of current financial aspects. The Scottish logician spent numerous years instructing and distributing a portion of his talks in the â€Å"Theory of Moral Sentiments† in 1759. The material made progress and established the framework for the distribution of â€Å"The Wealth of Nations† in 1776 which solidified Smith’s place ever. In any case, numerous pundits note that in his time Smith didn't ‘invent’ the thoughts he expounded on. He just promoted the thoughts that got known as old style economy. Utilizing his work different market analysts cemented the hypotheses of traditional economy which got predominant during the hou r of incredible sorrow or the worldwide monetary emergency. The report will likewise contrast the current financial framework and Smith’s and finish up whether he would concur with current arrangements of today on the off chance that he was alive. Creation Theory From the economists’ perspective, creation just methods the making of merchandise and enterprises which buyers will purchase. Organizations are the units of creation, and they convert contribution to yield through a change procedure (Kurz and Salvadori, 1995). The hypothesis of creation at that point comprises of how an organization picks and consolidates different contributions to deliver a yield at a given level in the most proficient way. The supposition that will be that dynamic is finished with the perspective on amplifying benefits. Creation is about making of riches which thusly adds to the society’s government assistance. Assets are restricted and should be proficiently used to make the most ext reme conceivable government assistance. There are various sources of info or assets of the general public utilized in the creation procedure. These sources of info or assets are the components of creation. Adam Smith recognized three components of creation which are land, work and capital. In the financial matters the meaning of land alludes to all the common assets which are utilized underway. The land idea incorporates cultivating and assembling land, woodlands, streams, lakes, and mineral stores. In this manner, land doesn't mean a bit of earth. Work ascribes to both mental and physical endeavors utilized in the creation of products and enterprises. Work is unmistakable in that it is the administrations of work that are purchased and sold. Work is additionally one of a kind since it is the motivation behind why monetary movement happens. The flexibly of work is estimated by the quantity of long stretches of work which is offered at a given compensation rate over a given timeframe (Kurz and Salvadori, 1995). Capital is a man-made info and can be named working or coursing capital alluding to loads of crude materials, incompletely completed products, and completed merchandise held by makers. On the other hand, it very well may be delegated fixed capital which comprises of all the hardware utilized underway. The part of specialization is significant in the creation procedure. It alludes to the grouping of action in those lines of creation where the organization or an individual has some common or obtained advantage. Adam Smith caused to notice the significance of the work division in his book â€Å"The Wealth of Nations†. He was on a very basic level worried about the division of work of a specific industry

Extended Metaphor in Literature

Broadened Metaphor in Literature An all-encompassing illustration is a typical scholarly gadget utilized as an examination between two, dissimilar to things that are usually utilized in engaging exposition or verse. At times, it is only a sentence or two, or once in a while it tends to be significantly more, enduring a passage or more. This scholarly term is otherwise called a pride or a super similitude. An all-inclusive analogy is here and there mistook for moral story. The different components orâ imagesâ in an all-inclusive allegory may fit together or supplement each other in various manners. Moral story Versus Extended Metaphor Moral story is regularly depicted as an all-inclusive illustration, yet this portrayal possibly works whenever stretched out alludes to the semantic articulation while similitude alludes to the theoretical structure. For instance, Peter Crisp, English teacher for the Chinese University of Hong Kong, claims that Extended analogy... is not quite the same as moral story since it contains language that relates straightforwardly to both theâ source and target. Artistic Construct Only Expanded metaphorsâ are an artistic develop rather than a common languageâ metaphor. Expanded representations are utilized deliberately and supported all through a content or talk. In contrast to standard language similitudes, they are not an irregular utilization of a portrayal normally made due to legitimate need to get a point over. As indicated by some language specialists, expanded similitudes are the selective property of artistic writings, in spite of the fact that this isn't indisputable as a result of the utilization ofâ sustained representations in publicizing. Instances of Extended Metaphors The most ideal approach to comprehend the idea of an all-inclusive representation is to see it being used. Creators and artists from everywhere throughout the world, from all classes, and many timeframes, have utilized or likely will utilize an all-encompassing representation somehow. Senior member Koontz, Seize the NightBobby Holloway says my creative mind is a 300 ring bazaar. At present, I was in ring 200 and ninety-nine, with elephants moving and comedians cartwheeling and tigers jumping through rings of fire. The opportunity had arrived to step back, leave the primary tent, go get some popcorn and a Coke, happiness out, cool down.Michael Chabon, The Yiddish Policemans UnionIt never takes longer than a couple of moments, when they get together, for everybody to return to the condition of nature, similar to a gathering marooned by a wreck. That’s what a family is. Additionally the tempest adrift, the boat, and the obscure shore. What's more, the caps and the bourbon stills that you make out of bamboo and coconuts. What's more, the fire that you light to ward off the beasts.Emily Dickinson, Hope Is the Thing With FeathersHope is the thing with feathersThat roosts in the soul,And sings the tune-without the words,And never stops at all,And best in the hurri cane is heard;And sore must be the stormThat could abash the little birdThat kept such a large number of warm.Ive heard it in the chillest land,And on the most unusual sea;Yet, never, in extremity,It solicited a scrap from me. Charles Dickens, The Mystery of Edwin DroodWhosoever has seen that calm and administrative flying creature, the rook, may maybe have seen that when he wings his path back home towards dusk, in a quiet and administrative organization, two rooks will out of nowhere confine themselves from the rest, will remember their trip for some separation, and will there balance and wait; passing on to minor men the extravagant that it is of some mysterious significance to the body politic, that this guileful couple should profess to have disavowed association with it.Similarly, administration being over in the old Cathedral with the square pinnacle, and the ensemble fighting out once more, and jumpers admired people of rook-like perspective scattering, two of these last backtrack their means, and walk together in the resounding Close.Henry James, The AmbassadorsUnless she concealed herself out and out she could appear however as one of these, an outline of his domiciled and undoubtedly of his affi rmed condition. Also, the cognizance of this in her enchanting eyes was so clear and fine that as she along these lines freely brought him into her pontoon she created in him such a quiet unsettling as he was not to bomb a while later to censure as pusillanimous. Ok dont be so enchanting to me!- for it makes us close, and after all what is between us when Ive been so massively wary and have seen you yet about multiple times? He perceived again the unreasonable law that so permanently administered his poor individual angles: it would be actually similar to the manner in which things consistently showed up for him that he should influence Mrs. Pocock and Waymarsh as propelled in a connection wherein he had actually never been propelled. They were at the present time they must be crediting to him its full permit, and all by the activity of her own tone with him; while his sole permit had been to stick with power to the edge, but rather to dunk a toe into the flood. However, the glimmer of his dread on this event was not, as might be included, to rehash itself; it jumped up, for its second, just beyond words and afterward go out until the end of time. To meet his kindred guests conjuring and, with Sarahs splendid eyes on him, answer, was adequately to step into her pontoon. During the remainder of the time her visit kept going he felt himself continue to every one of the best possible workplaces, progressively, for assisting with keeping the audacious boat above water. It shook underneath him, however he settled himself in his place. He took up a paddle and, since he was to have the credit of pulling, pulled. Will Ferrell (Actor/Comedian), Commencement Address at Harvard University in 2003I moved on from the University of Life. OK? I got a degree from the School of Hard Knocks. Furthermore, our hues were beat up, infant. I had available time with the Dean of Bloody Noses. Okay? I obtained my class notes from Professor Knuckle Sandwich and his showing right hand, Ms. Fat Lip Thon Nyun. That’s the sort of school I went to no doubt, alright?

Neo Nazis :: essays research papers fc

â€Å"Two Neo-Nazis have been indicted for killing Black adolescent Benjamin Hermansen. A third litigant has been indicted for being an assistant to the assault. The murdering of 15-year-old Benjamin Hermansen while he was meeting a companion close to his home in Oslo started shock. A huge number of Norwegians rampaged a couple of days after the demise to challenge prejudice and brutality. Oslo City Court indicted Joe Erling Jahr, 20, and Ole Nicolai (Kvisler), 22, both connected to the Boot Boys neo-Nazi gathering, of homicide. Jahr was condemned to 16 years in jail and (Nicolai) Kvisler 15 years. Veronica Andreassen, 18, was sentenced as an accomplice to the ambush and imprisoned for a long time. The court said the homicide was arranged, racially inspired and submitted by individuals from a Neo-Nazi gathering halfway to spread dread. It additionally found that Jahr and (Nicolai) Kvisler had each cut Hermansen with various blades. "Benjamin Hermansen would not have been assaulted if his skin had been a similar shading as the defendants," the court's decision said. The court said Jahr and (Nicolai) Kvisler had gone out that night with the aim of "getting a foreigner" and had brought blades. It said that while Andreassen didn't partake in the assault, she went with them regardless of realizing they arranged brutality. Hermansen, who was dynamic in his school and sports, was brought up in Norway. He additionally had taken a stand in opposition to bigotry on national TV a couple of months before his demise after he was ambushed by neo-Nazi young people during a soccer competition in Denmark. â€Å" (fare.net) That was a news story I found on a Norwegian enemy of supremacist site. It happened just a couple of days back on January 21st in Norway. This shows the predominance of bigotry despite everything going on today. The gathering answerable for the homicide had a place with an association that considers themselves the Neo-Nazis. One of the inquiries I’ve constantly posed in my history classes, is â€Å"Why do we have to think pretty much so much stuff that happened for such a long time ago?† Last year, my history educator, Mr. Slater, furnished me a response. He said we have to find out about history, or we will be destined to rehash our past missteps. So, I’ll talk about how Nazism began. First and foremost, there was Adolf Hitler. He carried on with a fairly uninteresting life as a youngster. His dad was a traditions official at the fringe isolating Austria and Germany. Neo Nazis :: papers investigate papers fc â€Å"Two Neo-Nazis have been indicted for killing Black adolescent Benjamin Hermansen. A third respondent has been indicted for being an assistant to the assault. The slaughtering of 15-year-old Benjamin Hermansen while he was meeting a companion close to his home in Oslo started shock. A huge number of Norwegians rioted a couple of days after the demise to challenge prejudice and brutality. Oslo City Court sentenced Joe Erling Jahr, 20, and Ole Nicolai (Kvisler), 22, both connected to the Boot Boys neo-Nazi gathering, of homicide. Jahr was condemned to 16 years in jail and (Nicolai) Kvisler 15 years. Veronica Andreassen, 18, was sentenced as an accomplice to the ambush and imprisoned for a long time. The court said the homicide was arranged, racially roused and submitted by individuals from a Neo-Nazi gathering halfway to spread dread. It likewise found that Jahr and (Nicolai) Kvisler had each cut Hermansen with various blades. "Benjamin Hermansen would not have been assaulted if his skin had been a similar shading as the defendants," the court's decision said. The court said Jahr and (Nicolai) Kvisler had gone out that night with the expectation of "getting a foreigner" and had brought blades. It said that while Andreassen didn't take an interest in the assault, she went with them in spite of realizing they arranged viciousness. Hermansen, who was dynamic in his school and sports, was brought up in Norway. He additionally had taken a stand in opposition to prejudice on national TV a couple of months before his demise after he was ambushed by neo-Nazi adolescents during a soccer competition in Denmark. â€Å" (fare.net) That was a news story I found on a Norwegian enemy of bigot site. It happened just a couple of days back on January 21st in Norway. This shows the commonness of bigotry despite everything going on today. The gathering liable for the homicide had a place with an association that considers themselves the Neo-Nazis. One of the inquiries I’ve constantly posed in my history classes, is â€Å"Why do we have to think pretty much so much stuff that happened for such a long time ago?† Last year, my history instructor, Mr. Slater, furnished me a response. He said we have to find out about history, or we will be bound to rehash our past missteps. All things considered, I’ll talk about how Nazism began. Before all else, there was Adolf Hitler. He carried on with a to some degree uninteresting life as a youngster. His dad was a traditions official at the outskirt isolating Austria and Germany.

How Does a Cash Advance on Your Credit Card Work

How Does a Cash Advance on Your Credit Card Work How Does a Cash Advance on Your Credit Card Work? How Does a Cash Advance on Your Credit Card Work?You can get an advance on your credit card to take out cashâ€"but the cost will be much higher than the cost of a standard credit card transaction.When you get a credit card offer in the mail, you’ll often see them mention “cash advances” as one of the features. Usually, this cash advance comes with a different annual percentage rate (APR) than regular credit card transactions plus additional fees.In case you were too embarrassed to askâ€"what exactly is a credit card cash advance? Don’t worry, there’s no judgment here. We’re happy to explain.How does a credit card work?Before we get to cash advances, let’s cover some credit card basics.A credit card is basically a type of loan, one that works as a “line of credit.” Instead of getting handed a chunk of cash like you would with a regular loan, a line of credit gives you a maximum amount that you can borrow. You’re only responsible for repaying what you actually withd raw.With a credit card, you can swipe the card in a store or online to make a purchase. The amount spent in that transaction gets added to your card as a part of your “balance,” or how much money you’ve borrowed with the card so farâ€"money that you will be responsible for paying back. The total amount that you can borrow on a credit card is referred to as your “credit limit.”Once you have a balance placed on your credit card, you will be responsible for paying it back, plus interest. Every month, you will have a minimum amount you need to repay. Usually, this amount is a small percentage of the balance plus interest.Credit cards have a very low monthly minimum payment compared to regular personal loans. This means they can be an affordable way to borrow, but it also means that theyll take many years to pay off if you’re only paying the minimum amount. The longer the card takes to pay off, the more interest will accrue and the more you’ll pay overall.The standard inter est rates for credit cards usually vary between 11 and 25 percentâ€"depending on your credit score. Luckily, most cards also come with a 30-day interest-free grace period. This means that you have 30 days to pay off a given purchase before it begins to accrue any interest. If you are able to pay off your balance in full every month, this essentially means that you’re borrowing money for free.Lastly, credit cards have what’s called a revolving balance. This means that the amount you can spend against your credit limit replenishes as your balance is paid down. Here’s an example:If you had a card with a $3,000 credit limit and a $2,000 balance, you would have $1,000 left to spend before the card was maxed out. Now, lets say you paid off $500 of that balance. You’d be left with a balance of $1,500, and you’d be able to spend an additional $1,500 before you maxed out the card.Cash advances let you use your credit card to take out cash.Now that we’ve covered the basics of cred it card use, we can turn to cash advances.Simply put, a cash advance is when you use your credit card to get physical cash. The amount that you withdraw is then added to your balance, the same as with a regular credit card transaction. If you were to get a $200 cash advance, your credit card balance would go up by $200. These advances can be very useful if you find yourself in a “cash-only” emergency.However, there are some important ways that a credit card cash advance differs from a regular credit card transaction:Most cards require an additional fee to take out a cash advance. Oftentimes this fee will be the larger of a small percentage (two to four percent) of the amount withdrawn or a set dollar number like $5 or $10.Cash advances do not come with the same 30-day interest-free grace period that regular credit card transactions have. When you take out a cash advance, interest will start accruing on that transaction immediately.Most cards have separate interest rates for cash advances, and those rates are much higher than the rates on normal transactions. For example, you could have a normal APR of 18 percent on your card, but a rate of 24 percent for any cash advances.As you can see, taking out a credit card cash advance is going to be much more expensive than using your credit card normally. Not only can you not avoid paying interest, but the rate you’ll be paying will be much higher. Plus, you have to pay a fee on top of all that just to access your cash!Still, a credit card cash advance is  preferable to the other type of cash advances you might encounter.Watch out for predatory loans that advertise themselves as “cash advances.”When you need cash for unforeseen expenses, you might think about heading down to your local payday lender storefront and taking out a short-term cash advance loan. After all, you’ll pay the whole thing off in two weeks, so what’s the harm?As it turns out, the risk for potential harm with a cash advance loan is hug eâ€"much higher than the risk with a credit card cash advance.Many no credit check loans, like payday loans and title loans,  like to call themselves “cash advance” loans. These are products that come with very short repayment terms (often two weeks to a month) and very high APRs, usually in the range of 300 to 400 percent.Theoretically, people are taking out these loans as an “advance” on their next paycheck, hence the name. But in reality, many people have trouble paying these loans off on time and are forced to roll the loan over and pay additional fees and interest to extend the due date.The longer these loans are extended, the more expensive they becomeâ€"especially because many people end up only paying off the interest on their loan, not the principal. Predatory loans like theseâ€"whether they are from a storefront or they’re online loans from a websiteâ€"can all too easily trap people in a continuous cycle of debt.These cash advance loans are targeted at people wit h bad credit, as those folks generally have fewer lending options available to them. And while there are many bad credit loansâ€"particularly installment loansâ€"that are safe and socially responsible, there are too many instances where predatory cash advance loans are taking advantage of vulnerable populations.For people with poor credit scores, getting cash in an emergency can be tough. But if you’re faced with taking out a cash advance on your credit card or taking out a “cash advance” loan, you should go with your credit card. It is by far the cheaper, safer option.To learn more about cash advances, check out these related posts and articles from OppLoans:When You Get a Cash Advance, Do They Check Your Credit Score?How to Calculate the Cost of Your Cash AdvanceCash Advances vs. Check Cashing Stores: Which is Worse?What other questions do you have about cash advances?  We want to hear from you!  You can  email us  or you can find us on  Facebook  and  Twitter.

The Story of a Story

   My connection with the Lee family began with a phone call. One of IEW’s customer service agents spoke with a woman about her daughters who were interested in becoming accredited IEW instructors—at the ages of 15 and 16. As it turns out, the impressive nature of this family extends far beyond an unusual teenage penchant for teaching. Descendents of the Saint Regis Mohawk Tribe, their mission is to reach out to Native American students in the Southwestern United States and help them learn to become effective written communicators. One of the sisters, Daniela, had written a pair of novels and had received several opportunities to speak on the subject. Her younger sister, Maria, edited her work while her older sister, Brisa, illustrated it. With a family production in full swing and a drive to better the lives and educations of others, I felt that I had to know more about the Lee family. I contacted the Lees, and after connecting over Skype and exchanging some pleasantries, I launched into a discussion of Daniela’s first book by asking what inspired her  idea. She responded, â€Å"One night I had a dream. I saw a dog next to a shipwreck and the dog asked me to help rebuild it.† Daniela enjoyed the dream so much that she decided to keep working on the story. â€Å"These many stories were worked on over time, and I eventually wrote them down. Everyone liked it, I guess. I hadn't ever really thought about publishing. I was self-conscious about my writing.† As it turns out, the Lees use IEW’s Fix It! Grammar program. Maria enjoys correcting things, so it was natural for her to use what she learned in Fix It! and the tips included in that product to work out the final editing of Daniela’s story. When I asked her about how she came to be the editor, she smiled. â€Å"It was funny. I wasn't going to be the editor, but then Daniela said, ‘Hey Maria, do you want to read it?’ I went to her laptop, and I really liked the story.† Daniela cut in, laughing, â€Å"And then she'd say, ‘Hey Dani, come here! Just so you know, I fixed a couple mistakes in there.’ I always saw her using a red pen on my work.†    Plotlines and Multiple Drafts I decided to find out more about Dani’s novel. â€Å"How did you generate the storyline for your novel?† I asked. â€Å"Making up plots takes longer than writing stories down on paper. You don't want it to go all over the place and not make sense. I'd been developing the storyline for several years. The second book is kind of interesting because when I started writing it, I showed it to Brisa, and she said, ‘You can do better.’ I only had one other idea, a super vague idea, and so I started writing. When I was done she said, ‘See, aren't you glad I told you that?’† â€Å"So you wrote the book a second time?† Daniela nodded. â€Å"I usually write two drafts. I write a whole book, and then I write it again. When I wrote the first book, it was accidentally deleted on my computer, but when I wrote it a second time, it came out so much better. The plot was a little different, but I'm so grateful the first one got deleted. For the second book, Brisa told me the first draft wasn't good enough. The third book was three-quarters done, and then I thought, you know, I don't want to keep this idea. I want to go another direction. The book always comes out better the second time because you've had time to think over the idea. I never plan on multiple drafts, but I always end up doing a second or maybe a third. I'm up to four drafts on one of my other books. I have a folder of scrap ideas on my computer that's so full of ideas I didn't use—all the drafts of books I didn't use and ideas that didn't work out.† I asked Daniela about the nitty-gritty process of her novel-writing. â€Å"I always do a chapter outline. Once I have a story, I do each one and then I focus on each chapter. I find that helps a lot. Sometimes the story turns out different. Different things happen; it’s a really cool experience.†    Publication I asked Daniela and her mother to tell me more about the actual publication of the novel. Daniela explained, â€Å"After my mom read it, she thought it was really good. She said, ‘We should get this published.’† Her mother continued, â€Å"It's impossible to publish through an established publishing company. We looked into a bunch of them, and it cost so much money just to have them look at it. We'd heard of self-publishing, so we went to Createspace. That's how we published the book.† The family was on a self-imposed deadline. Daniela was fourteen when her first book was published, fifteen with the second, and she is now sixteen as she works on a third book as well as a prequel to the whole series. We started discussing the series’ plot again. Daniela confided, â€Å"After the first book was written, I had an idea more would happen, but I just had vague ideas. Was this a series? But on the online publishing system, Mom checked the box that it was a series. That haunted me, and so I wrote more in the series.†    What Happened Next – The School Opportunity I decided to move on to Daniela’s experience as an author. â€Å"So I know that your writing gave you some opportunities to go speak to students at schools. How did that first school thing happen?† Daniela related the experience to me. â€Å"We have an aunt who is a teacher at that school. She asked if she could read it out loud to her class. They were second graders. She was reading out loud to them, and the vice principal saw the kids really engaged, and she asked what book she was reading. Our aunt said that her niece wrote it, and the vice principal was impressed. They usually have a guest speaker come to the school for National Read Across America Day and Dr. Seuss' birthday, and I was put on as one of the potential speakers. I was excited! Then they called and said they'd chosen me to come to their school, and that was amazing! They also invited me to come back for my second book, and so I did. So I've been there for two years now. â€Å"It was in a newspaper in Arizona, so some schools in White Mountain Apache reservation heard about it, and they invited me, too. We've been to three, twice in Texas in the same school, and then two separate schools in Arizona." â€Å"The first time I came up, they gave me some pre-questions the night before, but everyone was totally unprepared. They literally handed me a microphone and a chair in front of 500 kids. They said that I’d talk about my book, and the kids would ask me some questions. That's what they said, and I was up there, but I didn't know I could even speak in public, because I get so nervous. Then I started speaking, and it all came so naturally, and my dad said, ‘It was like we threw you in a pool, and you won the Olympics.’"    Illustrator I took a few minutes to focus in on Brisa, known affectionately as â€Å"Breeze† to her family, the illustrator of the series. I asked her to tell me about her illustrations. â€Å"The first book doesn't have illustrations, just a cover,† she began. â€Å"The second does have some. We did an art contest at a school and the winners have theirs at the end of the book. The kids liked that quite a bit. She needed a cover for her book, and so we thought, ‘You know, that would look good as a front cover.’ After we went to a school, the kids wanted more pictures. That's when I did the inside and cover for the second book.† Maria added, â€Å"Every single kid said, ‘You should have pictures!’† I asked Brisa more about the inspiration for her work. â€Å"God Himself inspires me in everything. I would say that He gives me ideas on what to draw and create. Kids asked me things like what inspired me, and how long does it take to be a professional artist, and I'm like, What? I'm not an artist. It inspired me to create stuff when we went to the school. When I saw the cover plastered all over the school I was like, wow this made a big difference to them! And that really inspired me.† I requested some of Brisa’s best tricks for inspiration when she needed to be creative. She responded quickly, â€Å"Listening to classical music with action in it.† Because working under a deadline can be stressful, the music helps to keep her mind focused on the task at hand.    What Makes a Story? I decided to take us back to themes and morals in the book. â€Å"How do themes show up in your novel, and is there a process for that?† I asked. â€Å"I like when there's a book or movie and there's something there for you to think about when it’s over,† Daniela mused. â€Å"I wanted that in my book, but it didn't come for awhile. I developed my main character's personality and then discovered what theme could be incorporated with that.† I asked Daniela what the main themes of her first book were. She responded, â€Å"Strength and friendship and figuring out what your weakness is and how you can overcome it.† Daniela went on, â€Å"I guess it goes through all three. I didn't do this on purpose, but I tried to put a moral in all three [books]. The second one was about forgiveness and loving your enemies. The third book is, ­ I guess, you can't judge people from where they come from. Every person is their own person and makes their own choices.† I turned to Maria, â€Å"Maria, you’ve read the books. Do you agree? Were those the themes that came out to you?† â€Å"Yeah,† she nodded. Conspiratorially, Daniela shared about morals and themes in her next project. â€Å"The prequel theme will be similar to the first book, but I don't really know yet. I'm focused on the story right now, but I have a feeling something's going to show up in that. A lot of times things happen in my books that surprise me. It's like the characters come to life and I'm just watching them.† â€Å"What drove you to write a prequel?† I asked. Daniela thought for moment. â€Å"Because in the first book, I had a lot of questions, mostly from my sisters. Why is this happening? How did this person get there? I decided to write a book that answered those questions from the first book.† I felt that there might be even more to how Daniela forms her themes, so I pressed her about her process. She explained, â€Å"I never decide on the moral or theme first, I always think of the story, and then I think—this could be in that story—like it's turning out to have that theme. I got inspiration from C.S. Lewis' Narnia books. Even though they weren't about God, they pointed you to God. I wanted that for my books.† â€Å"It never says the name of Jesus, but you know that's what it’s about,† interjected Maria. Daniela agreed. â€Å"When we go to public schools, we're almost like missionaries. I want them to see God because He’s the one who sent me the dream in the first place. In the second book, they quote the Bible in there.† â€Å"If people ask me about main character's name (Joshua), I get to mention the Bible. I got the name from the Bible; I wanted him named after a strong character like that. It's a conversation opener.† â€Å"Let’s go back for a minute, why did you focus on weakness?† Daniela thought for a moment. â€Å"I guess because it isn't until you identify your own weakness that you can overcome it and become a stronger person. If you want to become stronger, face your fear and then you'll be able to overcome it.†    The Lees on a Mission Maria and Daniela are interested reaching out to other students to help them become better writers, too. Daniela related the instigation of their mission. â€Å"The two schools on White Mountain Apache Reservation asked us if we would come back and teach some writing workshops, so we're taking a teacher's instruction course right now from IEW [Teaching Writing: Structure and Style]. â€Å"We want to go teach to kids on the reservation. We want them to have some of the same experiences that we had as we went through our writing lessons that helped our writing. I remember the banned words, like said, that we shouldn't use. It makes [the writing] more powerful, more meaningful. It gives you a better picture of what's going on.†    IEW Experience I asked how IEW had benefited the family. â€Å"It's helped so much,† replied Daniela eagerly. â€Å"I'm always thinking of banned words, who/which clauses, the outlines, the dress-ups. I'm always thinking of those things when I'm writing. Structural models—I'm always thinking about those. It helps my writing to come out better.†    Background Barnes   Noble had always been Daniela’s favorite store when she was little. â€Å"It was my dream to be published there,† she smiled. But she had also long been a fan of Andrew Pudewa. Daniela told me an anecdote of her first IEW video class. â€Å"We were doing the Student Writing Intensive for school. We were watching the videos, and I went to mom and asked her, ‘What can I do to be like him?’† She was pointing to Andrew on the television screen. â€Å"Do you want to be an English teacher or professor?† her perplexed mother asked. â€Å"No, him!† She wanted to be just like Mr. Pudewa! â€Å"I wanted to teach writing, and now I'm taking a class to be like him,† she laughed. â€Å"My writing career thing sort of began when I was three or four. I put pictures together in a book and my dad asked me where the words were. I put the pictures together to make a story, and then I asked them to write my story as I told it to them.† Daniela took her picture stories to her mother, who then wrote the story for her. â€Å"I wouldn't have known that I wanted to be a writer unless I'd made that story and mom took the time to write it down for me,† Daniela reflected. â€Å"Little kids won't know how to write things or spell, so it's great if their mom helps with that. Even to this day I have bad handwriting.† Daniela paused, then blurted, â€Å"But computers help with that!† Daniela wasn’t the only one with early inklings of what would come. When Maria was little, people would ask her what she wanted to be, and she’d say, â€Å"I want to be an editor!† Needless to say, people weren’t expecting that sort of response! â€Å"It [editing] seems so fun because you get to correct people. Now I am an editor of my sister's books, and this course [IEW’s Teaching Writing: Structure and Style] will help me do that better.† I left the interview feeling amazed—a writer, an illustrator, and an editor all in one family! Their novels, Son of the Sea Wolf, Vol. 1 and Son of the Sea Wolf: Fire vs. Water are available to purchase. Check them out. I’m betting these won’t be the last books they collaborate on, either!    Nathan King, the customer marketing manager for IEW, grew up as the son of a pastor in Wichita, Kansas. Following his graduation from Manhattan Christian College and Kansas State University with a degree in secondary education in history, he worked for thirteen years as a youth pastor in his hometown. Since he began working for IEW, Nathan has enjoyed both the marketing and customer service sides of his position. Nathan and his wife of thirteen years, Melissa, homeschool their four children, but it is his amazing wife that does the lion’s share of this vital mission! Log in or register to post commentsNathan Kings blog Log in or register to post comments